Welcome to my idiosyncratic view of the world. Sometimes vivid in colour, sometimes reduced to the quiet drama of black and white.
Curiously, the more vibrant the original scene, the more compelling it becomes in monochrome. Photography has its contradictions, and I enjoy that.
My work drifts between grand city skylines and sparse, minimal architecture. At times, it leans into abstraction or the occasional portrait, though you’ll find few of those here. I rarely linger too long in one style. Perhaps it’s a flaw, or perhaps it’s simply the way I stay curious. I’m fond of Albert Watson’s sentiment: "If I see something I like, I’m going to take a picture of it." I couldn’t agree more.
At art college, I once presented what I believed was a masterful painting. My tutor calmly asked me to leave the studio and spend the rest of the session outside, sketching fallen twigs with a pencil. It felt like exile at the time, but it taught me to observe more closely; to notice the overlooked, the quietly beautiful. That lesson still informs the way I compose an image today, for there is beauty in the unseen.
Over the years, I’ve been fortunate to receive recognition here and there, most recently as Minimalist Photographer of the Year (2024, Open Category) and I’ve held a few solo exhibitions along the way. My photographs hang in homes across the UK, USA, France, China, Australia, Qatar and elsewhere - quiet companions to lives I’ll perhaps never know.
If something in this collection speaks to you, or if you’d like to discuss a print, I’d be delighted to hear from you.